Title: Arete: Greek sports from ancient sources
Author: Miller, Stephen G
Published: University of California Press,  1991
Subjects: Classics | Classical  Literature  and  Language | History | Ancient History | Sports
Publisher's Description: From the informal games of Homer's time to the highly organized contests of the Roman world, Miller has compiled a trove of ancient sources - Plutarch on boxing, Aristotle on the pentathlon, Philostratos on clay dust as an anti-perspirant and on the buying and selling of victories, Vitruvius on literary competitions, Xenophon on female body building. With fully twice as many texts as the highly successful first edition, this new version of Arete offers readers an absorbing lesson in the culture of Greek athletics from the greatest of teachers - the ancients themselves.These sources, which Miller himself has translated, provide unparalleled insights into ancient athletic practices and competitive festivals. They emphasize the fundamental role of athletics in education and shed light on such issues as the role of women in athletics and the politics and economics of the games. Ultimately they demonstrate that the concepts of virtue, skill, pride, valor, and nobility embedded in the word arete and so closely associated in the modern mind with Greek athletics are only part of the story from antiquity.   [brief]
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Title: Sappho's lyre: archaic lyric and women poets of ancient Greece
Author: Rayor, Diane J
Published: University of California Press,  1991
Subjects: Classics | Classical  Literature  and  Language | Literature in Translation | Poetry
Publisher's Description: Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets - the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers.Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.   [brief]
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Title: Reading Sappho: contemporary approaches 
Author: Greene, Ellen 1950-
Published: University of California Press,  1998
Subjects: Classics | Classical  Literature  and  Language | Literary Theory and Criticism | Poetry
Publisher's Description: Reading Sappho considers Sappho's poetry as a powerful, influential voice in the Western cultural tradition. Essays are divided into four sections: "Language and Literary Context," "Homer and Oral Tradition", "Ritual and Social Context", and "Women's Erotics". Contributors focus on literary history, mythic traditions, cultural studies, performance studies, recent work in feminist theory, and more.A legendary literary figure, Sappho has attracted readers, critics, and biographers ever since she composed poems on the island of Lesbos at the close of the seventh century B.C. Bringing together some of the best recent criticism on the subject, this volume, together with Re-Reading Sappho , represents the first anthology of Sappho scholarship, drawing attention to Sappho's importance as a poet and reflecting the diversity of critical approaches in classical and literary scholarship during the last several decades.   [brief]
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Title: Revenge in Attic and later tragedy
Author: Burnett, Anne Pippin 1925-
Published: University of California Press,  1998
Subjects: Classics | Classical  Literature  and  Language | Literature in Translation
Publisher's Description: Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context.After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey , Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers , Sophocles' Ajax, Electra, and Tereus , and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.   [brief]
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Title: The shadows of poetry: Vergil in the mind of Augustine
Author: MacCormack, Sabine
Published: University of California Press,  1998
Subjects: Classics | Classical  Literature  and  Language | Ancient History | Christianity | Poetry
Publisher's Description: Imperial ceremony was a vital form of self-expression for late antique society. Sabine MacCormack examines the ceremonies of imperial arrivals, funerals, and coronations from the late third to the late sixth centuries A.D., as manifest in the official literature and art of the time. Her study offers . . . [more]
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Title: Spectacle and society in Livy's history 
Author: Feldherr, Andrew 1963-
Published: University of California Press,  1998
Subjects: Classics | Classical  Literature  and  Language | Classical History | Comparative Literature | Literature
Publisher's Description: Public spectacle - from the morning rituals of the Roman noble to triumphs and the shows of the Arena - formed a crucial component of the language of power in ancient Rome. The historian Livy (c. 60 B.C.E.-17 C.E.), who provides our fullest description of Rome's early history, presents his account of the growth of the Roman state itself as something to be seen - a visual monument and public spectacle. Through analysis of several episodes in Livy's History , Andrew Feldherr demonstrates the ways in which Livy uses specific visual imagery to make the reader not only an observer of certain key events in Roman history but also a participant in those events. This innovative study incorporates recent literary and cultural theory with detailed historical analysis to put an ancient text into dialogue with contemporary discussions of visual culture.In Spectacle and Society in Livy's History , Feldherr shows how Livy uses the literary representation of spectacles from the Roman past to construct a new sense of civic identity among his readers. He offers a new way of understanding how Livy's technique addressed the political and cultural needs of Roman citizens in Livy's day. In addition to renewing our understanding of Livy through modern scholarship, Feldherr provides a new assessment of the historian's aims and methods by asking what it means for the historian to make readers spectators of history.   [brief]
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Title: The best of the Argonauts: the redefinition of the epic hero in book one of Apollonius's Argonautica 
Author: Clauss, James Joseph
Published: University of California Press,  1993
Subjects: Classics | Literature | Classical  Literature  and  Language | Literary Theory and Criticism
Publisher's Description: This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful.In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition.   [brief]
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Title: The hidden author: an interpretation of Petronius' Satyricon
Author: Conte, Gian Biagio 1941-
Published: University of California Press,  1997
Subjects: Classics | Classical  Literature  and  Language | Literary Theory and Criticism
Publisher's Description: The Satyricon of Petronius, a comic novel written in the first century A.D., is famous today primarily for its amazing banquet tale, "Trimalchio's Feast." But this episode is only one part of the larger picture of life during Nero's rule presented in the work. In this accessible discussion of Petronius's masterful use of parody, Gian Biagio Conte offers an interpretation of the Satyricon as a whole. He combines the scholarly precision of close reading with a significant, original theoretical model.At the heart of his interpretation, Conte reveals the technique of the "hidden author" that Petronius employs at the expense of his characters, in particular the teller of the story, Enclopius. By remaining hidden outside the narrative, Petronius invites the reader to smile at the folies de grandeur that occur in a culture of scholars and declaimers. Yet as Conte shows, behind the parody and inexhaustible humor of the Satyricon lies an unexpectedly serious lament. For those familiar with the Satyricon, as well as for new readers, Conte's book will be a reliable, enjoyable guide to the wonders the Satyricon contains.   [brief]
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Title: Learned girls and male persuasion: gender and reading in Roman love elegy
Author: James, Sharon L
Published: University of California Press,  2003
Subjects: Classics | Classical  Literature  and  Language | Literature | Poetry | Women's Studies
Publisher's Description: This study transforms our understanding of Roman love elegy, an important and complex corpus of poetry that flourished in the late first century b.c.e. Sharon L. James reads key poems by Propertius, Tibullus, and Ovid for the first time from the perspective of the woman to whom they are addressed - the docta puella, or learned girl, the poet's beloved. By interpreting the poetry not, as has always been done, from the stance of the elite male writers - as plaint and confession - but rather from the viewpoint of the women - thus as persuasion and attempted manipulation - James reveals strategies and substance that no one has listened for before.   [brief]
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Title: Rome and the enemy: imperial strategy in the principate
Author: Mattern, Susan P 1966-
Published: University of California Press,  1999
Subjects: Classics | Classical History | Classical Politics | Classical  Literature  and  Language | Military History | Ancient History
Publisher's Description: How did the Romans build and maintain one of the most powerful and stable empires in the history of the world? This illuminating book draws on the literature, especially the historiography, composed by the members of the elite who conducted Roman foreign affairs. From this evidence, Susan P. Mattern reevaluates the roots, motivations, and goals of Roman imperial foreign policy especially as that policy related to warfare. In a major reinterpretation of the sources, Rome and the Enemy shows that concepts of national honor, fierce competition for status, and revenge drove Roman foreign policy, and though different from the highly rationalizing strategies often attributed to the Romans, dictated patterns of response that remained consistent over centuries. Mattern reconstructs the world view of the Roman decision-makers, the emperors, and the elite from which they drew their advisers. She discusses Roman conceptions of geography, strategy, economics, and the influence of traditional Roman values on the conduct of military campaigns. She shows that these leaders were more strongly influenced by a traditional, stereotyped perception of the enemy and a drive to avenge insults to their national honor than by concepts of defensible borders. In fact, the desire to enforce an image of Roman power was a major policy goal behind many of their most brutal and aggressive campaigns. Rome and the Enemy provides a fascinating look into the Roman mind in addition to a compelling reexamination of Roman conceptions of warfare and national honor. The resulting picture creates a new understanding of Rome's long mastery of the Mediterranean world.   [brief]
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Title: Propertius in love: the elegies
Author: Propertius, Sextus
Published: University of California Press,  2002
Subjects: Classics | Classical  Literature  and  Language | Literature in Translation | Poetry | Literature in Translation
Publisher's Description: These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.   [brief]
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Title: Hesiod's Ascra
Author: Edwards, Anthony T
Published: University of California Press,  2004
Subjects: Classics | Classical History | Classical Politics | Classical  Literature  and  Language | Economics and Business
Publisher's Description: In Works and Days, one of the two long poems that have come down to us from Hesiod, the poet writes of farming, morality, and what seems to be a very nasty quarrel with his brother Perses over their inheritance. In this book, Anthony T. Edwards extracts from the poem a picture of the social structure of Ascra, the hamlet in northern Greece where Hesiod lived, most likely during the seventh century b.c.e. Drawing on the evidence of trade, food storage, reciprocity, and the agricultural regime as Hesiod describes them in Works and Days, Edwards reveals Ascra as an autonomous village, outside the control of a polis, less stratified and integrated internally than what we observe even in Homer. In light of this reading, theconflict between Hesiod and Perses emerges as a dispute about the inviolability of the community's external boundary and the degree of interobligation among those within the village. Hesiod's Ascra directly counters the accepted view of Works and Days, which has Hesiod describing a peasant society subordinated to the economic and political control of an outside elite. Through his deft analysis, Edwards suggests a new understanding of both Works and Days and the social and economic organization of Hesiod's time and place.   [brief]
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Title: The Cynics: the cynic movement in antiquity and its legacy
Author: Branham, Robert Bracht
Published: University of California Press,  1997
Subjects: Classics | Classical  Literature  and  Language | Social and Political Thought | Religion | Ancient History
Publisher's Description: This collection of essays - the first of its kind in English - brings together the work of an international group of scholars examining the entire tradition associated with the ancient Cynics. The essays give a history of the movement as well as a state-of-the-art account of the literary, philosophical and cultural significance of Cynicism from antiquity to the present.Arguably the most original and influential branch of the Socratic tradition, Cynicism has become the focus of renewed scholarly interest in recent years, thanks to the work of Sloterdijk, Foucault, and Bakhtin, among others. The contributors to this volume - classicists, comparatists, and philosophers - draw on a variety of methodologies to explore the ethical, social and cultural practices inspired by the Cynics. The volume also includes an introduction, appendices, and an annotated bibliography, making it a valuable resource for a broad audience.   [brief]
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Title: The art of living: Socratic reflections from Plato to Foucault
Author: Nehamas, Alexander 1946-
Published: University of California Press,  1998
Subjects: Classics | Classical Philosophy | Classical  Literature  and  Language | Philosophy | Social and Political Thought | Literature
Publisher's Description: For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.Why does each of these philosophers - each fundamentally concerned with his own originality - return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him.This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself.   [brief]
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Title: Guardians of language: the grammarian and society in late antiquity 
Author: Kaster, Robert A
Published: University of California Press,  1997
Subjects: Classics | Classical  Literature  and  Language | Language and Linguistics | Ancient History
Publisher's Description: What did it mean to be a professional teacher in the prestigious "liberal schools" - the schools of grammar and rhetoric - in late antiquity? How can we account for the abiding prestige of these schools, which remained substantially unchanged in their methods and standing despite the political and religious changes that had taken place around them?The grammarian was a pivotal figure in the lives of the educated upper classes of late antiquity. Introducing his students to correct language and to the literature esteemed by long tradition, he began the education that confirmed his students' standing in a narrowly defined elite. His profession thus contributed to the social as well as cultural continuity of the Empire. The grammarian received honor - and criticism; the profession gave the grammarian a firm sense of cultural authority but also placed him in a position of genteel subordination within the elite.Robert A. Kaster provides the first thorough study of the place and function of these important but ambiguous figures. He also gives a detailed prosopography of the grammarians, and of the other "teachers of letters" below the level of rhetoric, from the middle of the third through the middle of the sixth century, which will provide a valuable research tool for other students of late-antique education.   [brief]
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Title: The private orations of Themistius
Author: Themistius
Published: University of California Press,  1999
Subjects: Classics | Classical  Literature  and  Language | Classical History | Classical Politics | Classical Religions | Ancient History
Publisher's Description: Themistius was a philosopher, a prominent Constantinopolitan senator, and an adviser to Roman emperors during the fourth century A.D. In this first translation of Themistius's private orations to be published in English, Robert J. Penella makes accessible texts that shed significant light on the culture of Constantinople and, more generally, the eastern Roman empire during the fourth century. The sixteen speeches translated here are equipped with ample annotations and an informative introduction, making them a valuable resource on the late antique period, as well as on Greek intellectual history and oratory.In Themistius's public orations, he played the role of imperial panegyrist, but in the "private" or unofficial orations presented here, the senator concerns himself with apologetics, rhetorical and philosophical programs, material of autobiographical interest, and ethical themes. The speeches are valuable as evidence for the political, social, philosophical, religious, and literary history of fourth century Byzantium, and as examples of pagan ideology and eloquence in the newly Christianized court. Themistius argues, among other things, that the philosopher should be involved in public affairs, that the lessons of philosophy should be broadcast to the masses, and that it is appropriate for the philosopher to be an effective orator in order to circulate his teachings.   [brief]
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Title: Representations: images of the world in Ciceronian oratory 
Author: Vasaly, Ann
Published: University of California Press,  1993
Subjects: Classics | Literature | Politics | History | Literary Theory and Criticism | Classical  Literature  and  Language
Publisher's Description: Ann Vasaly introduces representation theory into the study of Ciceronian persuasion and contends that an understanding of milieu - social, political, topographical - is crucial to understanding Ciceronian oratory. As a genre uniquely dependent on an immediate interaction between author and audience, ancient oratory becomes performance art.Vasaly investigates the way Cicero represented the contemporary physical world - places, topography, and monuments, both those seen and those merely mentioned - to his listeners and demonstrates how he used these representations to persuade. Her exceptionally well-written study deftly recaptures the immediacy of Cicero's oratory and makes a trenchant contribution to an important new area of inquiry in Classical Studies.   [brief]
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Title: The history of make-believe: Tacitus on imperial Rome
Author: Haynes, Holly
Published: University of California Press,  2003
Subjects: Classics | Classical History | Classical  Literature  and  Language | Political Theory | Ancient History
Publisher's Description: A theoretically sophisticated and illuminating reading of Tacitus, especially the Histories , this work points to a new understanding of the logic of Roman rule during the early Empire. Tacitus, in Holly Haynes' analysis, does not write about the reality of imperial politics and culture but about the imaginary picture that imperial society makes of these concrete conditions of existence - the "making up and believing" that figure in both the subjective shaping of reality and the objective interpretation of it. Haynes traces Tacitus's development of this fingere/credere dynamic both backward and forward from the crucial year A.D. 69. Using recent theories of ideology, especially within the Marxist and psychoanalytic traditions, she exposes the psychic logic lurking behind the actions and inaction of the protagonists of the Histories . Her work demonstrates how Tacitus offers penetrating insights into the conditions of historical knowledge and into the psychic logic of power and its vicissitudes, from Augustus through the Flavians. By clarifying an explicit acknowledgment of the difficult relationship between res and verba, in the Histories, Haynes shows how Tacitus calls into question the possibility of objective knowing - how he may in fact be the first to allow readers to separate the objectively knowable from the objectively unknowable. Thus, Tacitus appears here as going further toward identifying the object of historical inquiry - and hence toward an "objective" rendering of history - than most historians before or since.   [brief]
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Title: Emblems of eloquence: opera and women's voices in seventeenth-century Venice
Author: Heller, Wendy Beth
Published: University of California Press,  2004
Subjects: Music | European Studies | Opera | Classical Music | Women's Studies | Classical  Literature  and  Language | Renaissance History
Publisher's Description: Opera developed during a time when the position of women - their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality - was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts - by Ovid, Virgil, Tacitus, and Diodorus Siculus - form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).   [brief]
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Title: Restless dead: encounters between the living and the dead in ancient Greece
Author: Johnston, Sarah Iles 1957-
Published: University of California Press,  1999
Subjects: Classics | Classical Religions | Classical  Literature  and  Language | Intellectual History | Folklore and Mythology | Cultural Anthropology
Publisher's Description: During the archaic and classical periods, Greek ideas about the dead evolved in response to changing social and cultural conditions - most notably changes associated with the development of the polis, such as funerary legislation, and changes due to increased contacts with cultures of the ancient Near East. In Restless Dead , Sarah Iles Johnston presents and interprets these changes, using them to build a complex picture of the way in which the society of the dead reflected that of the living, expressing and defusing its tensions, reiterating its values and eventually becoming a source of significant power for those who knew how to control it. She draws on both well-known sources, such as Athenian tragedies, and newer texts, such as the Derveni Papyrus and a recently published lex sacra from Selinous.Topics of focus include the origin of the goes (the ritual practitioner who made interaction with the dead his specialty), the threat to the living presented by the ghosts of those who died dishonorably or prematurely, the development of Hecate into a mistress of ghosts and its connection to female rites of transition, and the complex nature of the Erinyes. Restless Dead culminates with a new reading of Aeschylus' Oresteia that emphasizes how Athenian myth and cult manipulated ideas about the dead to serve political and social ends.   [brief]
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